S’intitola L’Ultima Opera, ma curiosamente siamo al principio, è il cortometraggio d’esordio di Mattia Puleo scritto in collaborazione con Angelo Calarco.
Mattia è quello che si dice un giovane dalle idee chiare. Porta scene in a short style that has a great rhythm between the tragic and the sarcastic comedian: daughter and grandchildren in desperate search of inheritance orbit around the coffin of the late deceased. A "situation" that recalls the surrealistic world of Kusturica. Where will it end the steamroller of this short? To you find out.
Meanwhile Matt, 22, fresh from a film school in Turin, competes with The Last Opera in the selection for admission to Experimental Centre of Cinematography in Rome.
Meanwhile, a great looking cue the theme of this short, let us know by Ivo De Palma, who, with his irons ESTABLISHED mestiere, conosce i mille volti del lato tecnico di questo mondo. Ne approfittiamo per una conversazione – lezione su come si fa per creare un trailer, come quello messo a punto per Mattia a cui va un caro in bocca al lupo.
1.Dom a nd a meramente tecnica sul “mini contro micro”. Un corto che si rispetti è già di per sé un compressore di idee in u na pillola c reativa. Come si fa a crearne addirittura un trailer riassuntivo ma senza spoiler che faccia breccia senza nulla togliere al senso inedito del film?E su M attia, cosa ti ha colpito del suo senso artistico per Ogge tto make a your "raid"?
(Ivo De Palma)
the presentation of the trailer I have indicated what, in my view, militates in favor of Matt , clear ideas, bases-depth technical and iron will to work immediately with the crew, cast and post-production of professional quality, here's what struck me about the project. It 's definitely been an experience that Matt has lived enthusiastically, much to confide, just before the dubbing, that in those three days of recovery ha davvero capito che cosa vuol fare nella vita.
La mia scorribanda prosegue il filone trailer, che devo dire mi piace molto, anche perché come al solito li concepisco e realizzo interamente, dal testo alla registrazione della voce, alla selezione, elaborazione e montaggio dei materiali video tratti dal film.
Realizzare un trailer, come d''altronde un book-trailer, significa raccontare quella storia in altro modo, molto più sintetico. significa andare al cuore della trama, ed estrapolarne pochi tratti distintivi, meglio se contrastanti. Considerando che ogni storia degna di essere raccontata vive su un problema da risolvere o su due posizioni che giungono allo scontro, chi confeziona il trailer deve saper cogliere e isolare tali elementi proposing them so appealing. Obviously, it is important not to do spoilers, that does not reveal the final and in the case of a short is actually even more difficult.
2. You who know anything about teamwork, this is a quid, which is part of the realism of working a job that Matt wants to start. So it takes technique but also the availability human, that patience, teamwork, said this in a nutshell, you can explain in more detail?
Teamwork, a bit 'in all areas and therefore also on film and television set is affected, for better or for worse, by collective dynamics. The "pack leader" must be recognized, regardless of whether it is for beginners. It 's the point where he must be able to hold it through the course of filming, trust and full cooperation of the crew and cast. Should be sure to have the last word, even when discussing a particular choice with a professional might sail again, but on that occasion no positions of responsibility. The set is like a miniature construction site, unless you're filming Ben Hur, then it is even bigger! The director, in the case of low-budget productions like this, it has a plethora of assistants. Are given nicknames by which the film and television jargon Anglo-American means, for example, props, or "runner", or auxiliaries, which can also be a major motion picture scores, ie the "best boy". They are, in all respects, the "problem solver", and when there are for budgetary reasons, the poor director must know it represents. Artistic cast and crew trust of those who have a clear idea, even though they may be questionable, then woe to give the impression to go, as they say, "Muzzano. Patience and a certain willingness to sacrifice are other qualities that film, especially at the beginning, and requires in any case is refined in those who cultivate it. That alone took three days to upload your short on servers blocked by an institution who requested it can be quite unnerving, not to mention all the various Rogne and any that may occur before, during and after the shoot!
3.Riguardo aspect recitative, but more widely, so to speak, "anti-spoiler" for a trailer like this, as it combines the choice of vocal style and linguistic register?
guess the text must be right, because its texture is that the speaker gives voice to interpret the coordinates. Another important thing is the music that beats plus the installation and certainly puts the speaker in the mood right. But, of course, we need a vocal technique that can work on minime sfumature, e di aderire a un preciso standard, artistico e commerciale insieme.
4. E da osservatore attento e privilegiato in quanto vicino al tuo settore lavorativo, che te ne pare della scena italiana del corto così pregnante ma ancora scevro di canalizzazioni in luce al grande pubblico, salvo, a dirla tutta, quella perla bianca di Corto 5 di qualche anno fa?
www.ivodepalma.it
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